FLAVIUS PISAPIA
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Sculpture

The sculptures explore, celebrate, and announce a world of pure form. Biomorphic abstraction emerged in the early 20th century in sculpture and painting when artists sought expression for nature’s germinal forces of life through a language of pure form that stood on its own, without fixed, rational meaning. Suggestive of nature, but not resembling its finished objects, the rounded archetypal forms speak of essence and potency that produce the multiplicity of nature’s forms. The sculptures are a celebration of life forces, presenting an impactful body of work in a continual search for the forces and processes that sustain and uplift us. — Sahya Samson
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Knowledge, 2019

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Life, 2019

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Man, 2019


Click on the artwork for more information.
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Reclining Form 1, 2019

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Reclining Form 2, 2019

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Reclining Form 3, 2019

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Reclining Form 4, 2019

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Reclining Form 5, 2019

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Sempre, 2019

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Crescendo, 2019

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Dolce, 2019

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Energico, 2019

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Vivace, 2019

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Maestoso, 2019

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Amoroso, 2019

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Aspire, 2020

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Spritely, 2020

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Fearless, 2020

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Returning, 2021

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Achieving, 2021

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Strengthening, 2021

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Rising, 2022

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Engaging, 2022

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Receiving, 2022

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Pronouncing, 2022

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Guiding, 2022

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Whirling, 2022

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Caring, 2022

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Balancing, 2022

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Celebrating, 2022

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  • Home
  • Sculpture
  • About
    • CV
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